Getting Free, or: Why My Cellulite + I Got Naked + Went Swimming

blacks beach

Yesterday, I spent the afternoon alone at a nude beach, and I may never be the same. I’ve gotten pretty damn free in the last couple of years, but this was next-level. I’ll can get naked in front of most women fairly easily (thanks, Westridge School for Girls?), but this little bit of beach was populated almost entirely by men, which is a whole different psychological ballgame for me—pun semi-intended.

Anyone who has ever loved me knows that I adore sea-swimming. There are few activities that offer me the kind of simultaneous freedom and connection that being a tiny, splashing speck in ocean does. It’s the best. Just the best. And I almost didn’t swim today. Because…naked. Because…trotting to the shoreline naked!

Then, as barftastically cheesy it sounds, I remembered the woman who I want to be. I want to be a woman whose life reminds other women of their worth. I want to be a woman who doesn’t script vicious monologues about her own body in her head when she catches a stranger looking at her. I want to be a woman who knows that any man who gets this house of cellulite and stretch marks and softness (um, hi, you don’t lose 100 lbs. in a year and come out of it firm or perky…like, in any way whatsoever) is really lucky.

Not lucky because I have a “great personality” in spite of my body. And also not lucky because I think I’m better than any of my potential partners or better than any of the women whom they could have chosen to love instead. Just lucky because life is fragile, and connecting is beautiful. It’s everything.

Hate is obviously alive + breeding in our world (see: Orlando Nightclub Massacre, Donald Trump, the Stanford rape case, the countless police killings of unarmed black men nationwide, et al), so you might as well join me in throwing some love out into the universe.

Even if it’s love for your own, imperfect ass.

I Used to Write Poems

I used to write poems.  

I always thought it was dumb to write poems.

I still think this.

I should probably write poems again.

* * *

Purple.

For almost a decade, I have been searching for a copy of a particular poem I wrote when I was fourteen.  I hadn’t been able to remember if it was actually any good or not, but I remembered everything else about it and around it.  I have been piecing together lost moments of lost years lately, and somehow, finding this poem became critical. An obsession.

I remember writing it.  It still feels so recent and familiar—sitting in the Main Hall computer lab at my all-girls school, eating shitty vanilla-cream sandwich cookies from the snack machine while furiously typing every line that danced out of my achey little heart.  It was a soul dictation.  An angsty, adolescent soul dictation written during the last twenty minutes of a lunch period and due to be placed in Judy Chu’s hot little hands by the end of the day.

Ms. Chu was my 9th grade English teacher.  She loved my writing.  I loved her for loving my writing.

* * *

Jump cut to 10th grade.  Now I’m sixteen.  I’m sixteen, and I’m wearing my skin inside-out.  I’m so raw and exposed that a passing breeze can light my nerves on fire.  I feel everything, and all of it hurts. I don’t show up when I’m supposed to, and I rarely turn in my homework.  Because I fucking can’t.

Instead, I’m drinking and smoking and using and bingeing and starving and crying.  Crying, crying, crying.  All the time.  The Big Feelings had established their roots in my limbic system years ago (7th grade? 8th grade? hard to say), and by 10th grade, they had swallowed me whole.

So when my final poem is due in Ms. Lipschutz’s creative writing class, I dig through my archives.  Because at this point, if I do turn in my homework, you’re either getting copied answers or recycled assignments from brighter days gone by.  Sorry, but what do you want from me?  I’M ON FIRE.  This is the best I can do.

I find the poem.  The 9th-grade-Main-Hall-computer-lab poem.  “Purple,”  I had titled it.  I have no memory of that title or of the poem, but I turn it in and pass it off as new material.  And Ms. Lipschutz likes it.  Her sweet, rubbery face lights up when she reads it aloud a second time for the class.  What a strange lady, I think.  I fall asleep on my desk.

The school year ends, I am stuffed to the gills with SSRIs, and I hate myself more than ever. I am not sober.  I attend all of the end-of-year ceremonies that seem to be de rigueur at girls’ schools.  There is always a piano processional and polite clapping at these ceremonies.  And I always smile and polite-clap for as long as I can, or until I’m swept away by the undertow of my own, ever-present shame and taken elsewhere.

Shame has always done that to me.  My heart races, the abusive thoughts get louder and more intrusive, and then, without warning, all frequencies turn to static, drowning out everything around me and lulling me into a fantasy world.

I’m at one of these end-of-year ceremonies, watching all of the shiny pennies collect their awards and accolades.  The deafening, internal refrain of, ‘You are a total fuck-up; you will never be happy,’ is about to reach fever pitch and give way to the static.  I can feel it.  But I am jolted back into the moment by the Head of School calling Rachel Abelson to the stage to present the latest edition of Outlook, the annual student-run literary journal.

Rachel Abelson is a class-of-2000 senior, the co-editor of Outlook, and the best writer I have ever known in real life.  She is tall and complicated.  She has enviously large breasts and unapologetically cold, blue eyes.  She wears Doc Martins and vintage sweaters with our required school uniform pants.  (We are also allowed to wear uniform skirts, but Rachel always wears pants.)  Her hair is often messy.  She barely speaks, and when she does, she speaks with purpose.  Most importantly, Rachel Abelson is exactly who I want to be.

Rachel’s writing is so sharp and nuanced and original that it makes me sick with jealousy.  Once, in a poem, she described her vagina as “that Saturn sunset just below my dust-bunny navel” or something like that.  I’m sorry, but what 17-year-old comes up with shit that good?  It’s not even fair.

She has probably already had sex, I thought when I heard that line for the first time.  She is just too fucking good.

Anyhow, Rachel takes the stage, thanks the Head of School, and coyly tells the audience that she and the Outlook staff believe that the new millennium is going to mark an incredible epoch in modern literature.

“As evidenced by the works produced by the young writers in Ms. Lipschutz’s classes this  year,” Rachel declares, “the literary world should brace itself for something exciting and incredible.”

A lofty claim, I think to myself.

She continues, “To give you an idea of what we all have to look forward to, the editors of Outlook would like to read one of our favorite submissions this year, written by an extraordinarily gifted and talented member of the class of 2002.  This is ‘Purple’ by Rachel Broderick.”

And with that, Rachel Abelson reads my poem.  What. The. Fuck.  Rachel Abelson—who I worship and who has never spoken a single word to me—reads my poem.

Everyone claps.

My parents are in the audience somewhere.

Maybe they are all just polite-clapping.  I don’t know, and I don’t care. Because for the rest of that afternoon and pieces of the days following, I do not hate myself.

* * *

 

Screen Shot 2016-04-14 at 11.34.07 AM

Thirteen

13
she had no idea.

#TBT to 2/2/97, a.k.a. my 13th birthday, a.k.a. the time in my life when I wore oxblood Doc Martins every day and posted open letters to Courtney Love on my Geocities (or was it Angelfire?) site, which was coyly called “Pigtails for Rachel.”  I can remember feeling pretty damn on top of my game that night. We had just returned to my parents’ house from the “dinner party” I threw myself at Il Fornaio (because what 13-year-old desperately trying to be a 30-year-old wouldn’t want to ring in her teen years with eight of her closest girlfriends and a classy-ass plate of capellini al pomodoro?), and I had on the best outfit I had ever assembled.  Or close to it. Micro-mini vintage polyester slip.  Docs with special-occasion silver shoelaces.  Slightly padded bra that I begged my mother to buy me for an hour straight at Macy’s on Lake.  Urban Decay lipstick & nail polish in “Gash.” Gwen Stefani wore Gash—she said so in Seventeen Magazine.

                                                                     * * * * *

Make a wish, they said.  I mean, because that’s what they say on your birthday.  I’ve always been someone who believes in the power of wishes and candles and concentration and moments of silence (light a candle—any candle— in my face, and I’ll get Fiona-Apple-on-a-rainy-day reflective on you faster than you can say “Shadowboxer”), and I remember running through the feels so hard when this picture was taken.  I had been drinking for one year, bleeding for two, and hating myself for at least ten—all things that I was pretty sure made me a Very Modern Woman in the eyes of the world.  Because women drink and bleed and hate their bodies.  Obviously.  So they told me to make a wish, and I wished for a different body and for a boy to fall in love with me.  And in this moment, the moment captured in this photo, the moment before I blew out my candles, I knew that I was wishing for all the wrong shit.  I have always had enough education and enough self-awareness to know that I am wishing for all. the wrong. shit.  And yet I have held my breath and wished for it all anyway, year after year.  I’ll be 32 in February.  We’ll see.  #throwbackthursday